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112 pages. 9.00x6.25x0.50 inches. In Stock.

Former library book; may include library markings. Used book that is in clean, average condition without any missing pages.

Vinyl LP pressing. 2015 release, a collection of brooding, expertly-crafted alternative pop songs, from an artist and producer who has already earned fans as diverse as London Grammar to Childish Gambino (and over three million Soundcloud plays to boot). For 24-year-old Paul Dixon, it's a record which may have started as an exercise in tightening one's grip on life, but is effectively about release, and learning that control itself is a fallacy.

Double 150gm vinyl LP pressing including digital download. I Am > I Was is the second studio album by rapper 21 Savage, originally released on December 21, 2018. I Am > I Was features vocals by J. Cole, Childish Gambino, Schoolboy Q, Post Malone, Offset, Lil Baby, Gunna, and Travis Scott, among others. I Am > I Was is supported by the lead single, "A Lot". The album debuted atop the Billboard 200.

Intimate pictures of the top artists in rap music from one of the most influential and culturally relevant photographers of his generation    Photographer Gunner Stahl has captured shots of some of the world's most famous rappers including Drake, Migos, Kayne West, A$AP Rocky, Childish Gambino, Gucci Mane, Post Malone, and many others. He started by capturing the burgeoning hip-hop scene in Atlanta with an undeniable raw energy that has led to professional opportunities with magazines like Vogue, Fader, and Highsnobiety as well as brands like Google, Red Bull, Moncler, Adidas, Stella McCartney, PUMA, and Kylie Jenner's Thick clothing collection. In Portraits, he will publish unseen images of rap's most famous artists along with written contributions from rapper Swae Lee and photographer Chi Modu.

Signaling recent activist and aesthetic concepts in the work of Kara Walker, Childish Gambino, BLM, Janelle Monáe, and Kendrick Lamar, and marking the exit of the Obama Administration and the opening of the National Museum of African American History and Culture, this anthology explores the role of African American arts in shaping the future, and further informing new directions we might take in honoring and protecting the success of African Americans in the U.S. The essays in African American Arts: Activism, Aesthetics, and Futurity engage readers in critical conversations by activists, scholars, and artists reflecting on national and transnational legacies of African American activism as an element of artistic practice, particularly as they concern artistic expression and race relations, and the intersections of creative processes with economic, sociological, and psychological inequalities. Scholars from the fields of communication, theater, queer studies, media studies, performance studies, dance, visual arts, and fashion design, to name a few, collectively ask: What are the connections between African American arts, the work of social justice, and creative processes? If we conceive the arts as critical to the legacy of Black activism in the United States, how can we use that construct to inform our understanding of the complicated intersections of African American activism and aesthetics? How might we as scholars and creative thinkers further employ the arts to envision and shape a verdant society? Contributors: Carrie Mae Weems, Carmen Gillespie, Rikki Byrd, Amber Lauren Johnson, Doria E. Charlson, Florencia V. Cornet, Daniel McNeil, Lucy Caplan, Genevieve Hyacinthe, Sammantha McCalla, Nettrice R. Gaskins, Abby Dobson, J. Michael Kinsey, Shondrika Moss-Bouldin, Julie B. Johnson, Sharrell D. Luckett, Jasmine Eileen Coles, Tawnya Pettiford-Wates, Rickerby Hinds.

Signaling recent activist and aesthetic concepts in the work of Kara Walker, Childish Gambino, BLM, Janelle Monáe, and Kendrick Lamar, and marking the exit of the Obama Administration and the opening of the National Museum of African American History and Culture, this anthology explores the role of African American arts in shaping the future, and further informing new directions we might take in honoring and protecting the success of African Americans in the U.S. The essays in African American Arts: Activism, Aesthetics, and Futurity engage readers in critical conversations by activists, scholars, and artists reflecting on national and transnational legacies of African American activism as an element of artistic practice, particularly as they concern artistic expression and race relations, and the intersections of creative processes with economic, sociological, and psychological inequalities. Scholars from the fields of communication, theater, queer studies, media studies, performance studies, dance, visual arts, and fashion design, to name a few, collectively ask: What are the connections between African American arts, the work of social justice, and creative processes? If we conceive the arts as critical to the legacy of Black activism in the United States, how can we use that construct to inform our understanding of the complicated intersections of African American activism and aesthetics? How might we as scholars and creative thinkers further employ the arts to envision and shape a verdant society? Contributors: Carrie Mae Weems, Carmen Gillespie, Rikki Byrd, Amber Lauren Johnson, Doria E. Charlson, Florencia V. Cornet, Daniel McNeil, Lucy Caplan, Genevieve Hyacinthe, Sammantha McCalla, Nettrice R. Gaskins, Abby Dobson, J. Michael Kinsey, Shondrika Moss-Bouldin, Julie B. Johnson, Sharrell D. Luckett, Jasmine Eileen Coles, Tawnya Pettiford-Wates, Rickerby Hinds.